Installation View(attacca), at BOAN 1942, Seoul

attacca (2024)

Solo exhibition at BOAN 1942, Seoul

26.07. - 10.08.24

The Dyad : From Dot to Line

Stay in the middle, walk in this 미로(maze).1)

One is whole, and through Two, reaches the completeness of Three. The two, which mediates and arbitrates between one and three, inherently signifies opposition and division. However, because they progress towards wholeness by opposition and the denial of phenomena, they ultimately denote creation. So long as the Other exists, we inevitably live through countless cycles of division and unity within relations.

In the 5th century BCE, Greek philosophers referred to the principle of Two or Otherness as the Dyad. They believed that the Two rebels against unity, diverging from the sacred Monad, as well as symbolizing an irreverent departure from the original unity and the primeval good.

One can also note that the Indo-European root for ‘two’ implies a sense of “badness”. Both the Greek prefix dys- (as in dyspepsia) and Latin dis- (as in dishonorable) derive from ‘duo’.2)  Furthermore, in words like ‘dubious’ and ‘doubt’, as in the German Zweifel, reveals a sense of existential denial or disbelief, as doubt can possibly signify a division of the mind.

The basic principle of the Dyad is polarity. The tension between two poles are manifested as oppositions, contrasts, and differences across all natural and human affairs. While the Dyad appears to contradict unity, the paradox lies in the fact that the opposing poles remember their origin, and together as one, pull each other back to the origin, eventually forming the basis of all creative processes.3)

The ultimate integration of division and polarity takes a leap towards the Three, or returns to the One. Considering that the tension brings out a differentiation and development of history, the Two potentially implies hopefulness and creation.

Finally, the Dyad has a quality of ‘Boldness’. While we are relentlessly separated from the original wholeness, we gain agency and guidance in a state of turbulence. In such an experience of polarity and tension, we are forced to make creative choices at every moment, and this discomfort reveals to be a positive affirmation that we are on the right path. In other words, moving forward is a process of gaining agency and direction amidst all the instability.

I want a riddle, so say it ditto.

Donghoon Gang

___________

1) Part of the lyrics to “Ditto” by NewJeans, released on December 19, 2022. In the original song, it starts with “I don’t want” and is used in the negative form, but for the p

2) Aldous Huxley, The Perennial Philosophy, 1947, Chatto & Windus, p. 17.

3) Kim Kyoung-Jae, Numerology and its Symbolical Meaning for Spirituality, 2003, Theological Studies, 44, p.107-133.

 

Vesica Piscis, 2024


Two channel video, 4K, sound, aspect ratio : 3840 : 2880 each 

Continuous loop 

Camera : Donghoon Gang, Paul Haas 

Performance : Kateřina Malířová, Marie Malířová 

Color Grading : Botond Nagy 

 

Photography : Dongwoong Lee

 

Program
curated by Seohee Choi, Donghoon Gang

  1. Kaija Saariaho : Sept Papillons for Cello Solo

    performed by Seohee Choi

  2. K. Penderecki : Divertimento for Cello Solo

    performed by Jaesung Lim

    I. Sarabande

    II. Serenade

    III. Scherzo

  3. Donghoon Gang : Binary Composition for Two Cellos in triangular formation

    performed by Jaesung Lim, Seohee Choi
    conducted by Donghoon Gang

 

 Photography : Augustine Paredes